Charismatic rancher Phil Burbank inspires fear and awe in those around him. When his brother brings home a new wife and her son, Phil torments them until he finds himself exposed to the possibility of love. |
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Ratings: | IMDB: 6.8/10 | |
Released: | December 1, 2021 | |
Runtime: | 126 min | |
Genres: | Drama Romance Western | |
Countries: | United Kingdom Australia Canada New Zealand United States | |
Companies: | See-Saw Films New Zealand Film Commission Bad Girl Creek Max Films BBC Films Cross City Films Max Films International | |
Cast: | Benedict Cumberbatch Kirsten Dunst Jesse Plemons | |
Crew: | Jane Campion Thomas Savage | |
Trailers (4)
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Version 1 799.7 MB | mixdrop.ag | 621 views | Report Link | ||
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Version 2 851 MB | dood.watch | 33 views | Report Link | ||
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Version 3 851 MB | dood.watch | 56 views | Report Link | ||
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Version 4 | streamvid.net | 18 views | Report Link | ||
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Disappointingly slow… wish we could have gotten more from the cast. Just our 2 cents. Hope others can enjoy.
The only thing I liked about this movie was the cinematography and lighting; absolutely beautiful. Other than that it was a turd. An A+ Cast wasted on a pseudo-western with a really pretensious, boring script.
I enjoyed it.. but I dont think its worthy of an Oscar. I’m sure it will be a contender as Jane hasn’t made a movie since The Piano and the producers will be trying to milk her previous 6 Oscar wins. I found it very good as a Gothic Western - it had the intensity and anticipation but it could have been a classic had Jane developed the characters more. 6/10
She has directed 4 films since the Piano: The Portrait of a Lady (1996), Holy Smoke (1999), In the Cut (2003), Bright Star (2009), and wrote the episodes for the TV series Top of the Lake (2013-2017) and directed 8 of them. While her movies aren’t successful like The Piano (1993), I think watching them together is a great experience: to be seduced by the eyes of the director and cinematographer which are romantic, moody, and nature plays a large part; and, the characters are always on the line of being seduced themselves by darkness. Her movie An Angel at my Table (1990) is one of my all-time favorite, favorite movies! :-)
I love Angel at my table too , its a little gem. I was working in Melbourne a while ago , near where they filmed the movie Mental…I met Kerry Fox and shes a lovely lass. Jane is a fave of mine also..Ive seen all her movies..What I should have said is that ..none of her movies brought her such fame as The Piano..which is a shame coz Jane has a brilliant eye for cinema, especially for breathtaking scenery !
It was slow but not boring. Unfortunately, there was little back story so we don’t anything about anyone. Why didn’t the kid attend the service?
The moral of the story: Always wear gloves when twisting a rope.
Cool, a new flick from Jane Campion! Nice one uploader!
There’s 126 min of my life I’ll never get back. This film is basically the “Power of a Dogs Dinner” A disjointed clump of ideas that never really amount to anything other than a Anthrax death, and suggested homosexuality. At the end all we could think of was WTF was that?
Around the turn of the 19th century into the 20th a man is being educated. He goes to college, a rare and entitled thing at the time. He studies the classics and is heralded as brilliant. As a young man, both he and his brother are taught the ways of the ranch by an older man only known as Bronco Henry.
Now Phil is grown, as is his brother George. They ranch more successfully than most in the wilds of Montana, 1925. A cattle drive takes them to a remote restaurant owned and operated by a widow called Rose and her son, the delicate paper-flower-making Peter.
As the rowdy group of men are served chicken by a pale waif of a boy, Phil bristles like a dog. His words spit and sting. He sees something in George that he cannot tolerate. And as for Rose? Well, she, as a woman, is of no interest nor use to Phil. None whatsoever.
In short time George and Rose marry, bringing their newly melded family of three into the large mansion on the ranch with Phil.
It turns out, what Phil sees in George may just be everything he hates in himself, everything he has worked these many years to press down and down. Artful, weak, effete, delicate, and civilized. Nowadays Phil never washes, never bends, never shares.
And yet, when he spends time alone, it is with a length of silk. Our boy may have been taught a bit more of the ways of the Greeks by Henry than anyone else knows.
He now spends his life struggling against this personification of what his life may have been, what he still may wish it had been. Until Phil starts to bend, until he starts to share, until he starts to wash. And we see him there, exposed without his armor of mud and smoke and bitterness.
Laid bare, what will pierce his heart now? An arrow or a knife?