Into the Night begins with a sudden solar event, as the sun inexplicably starts killing everything in its path. The show centers around the 'lucky' passengers and crew of an overnight flight out of Brussels, as they attempt to fly west - into the safety of the dark night. The plane's manifest is multinational and multilingual, with passengers, rich and poor, young and old, civilian and military. The seemingly ordinary travelers share but one thing: A desire to survive the sun - and each other - by any means necessary. |
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Ratings: | TVMaze: 7.3/10 | |
Released: | May 1, 2020 | |
Genres: | Drama Thriller Sci-Fi | |
AKA: | אל תוך הלילה | |
Companies: | Netflix Entre Chien et Loup | |
Cast: | Marie-Josée Croze Borys Szyc Laurent Capelluto Javier Godino Jan Bijvoet Astrid Whettnall Stefano Cassetti Vincent Londez Alba Gaïa Bellugi Babetida Sadjo Émilie Caen 9 more Nabil Mallat Joe Manjón Dennis Mojen Ksawery Szlenkier Mehmet Kurtuluş Coen Bril Regina Bikkinina Pauline Étienne Nicolas Alechine | |
Crew: | Jason George Stijn Deconinck Photek Tomasz Bagiński Mathieu Depuydt Jacek Dukaj Koen Timmerman Sébastien Delloye D.J. Talbot François Touwaide | |
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Really good show. I’m disappointed it was only 6 episodes.
said it’s still running tho. Maybe more to come.
Great Belgian SF tv-series! Pauline Etienne is a badass actress!
oooohhh! This look fantastic? Going to check it out thanks uploaders. :D
Checked it out and Loved it!!!! Then requested links in forum for (2-6) with english subtitles since they all came out May 1st! :)
Don’t waste your time, it’s laughable
What is laughable this show? I do Not think so. I watched 3 episodes and am waiting for the other 3 to appear. :)
I said that after 3 of em. kept waiting for it to get better. How did this get a TVMaze: 7.7/10 rating.
Great show 5/5
The first episode was pretty good, I’m just curious as to where this is going.
Netflix doesn’t offer “free access to first episodes”.
What they offer is one month trial IF you have not streamed before.
They do this based on your debit/credit card info combined with email addresses.
Most services do that; not a free first epi of new series.
I mean no criticism, just an FYI as a member of other “paid” sites.
Thanks a million for all your help in keeping PW up to date. :)
Pretty good. I expected it to be in English but S1 was 95% French. I liked the “protagonists” in S1 but started disliking them in S2. I’m all team “bad guys” now!
Oh sweet, it’s back!
Snowpiercer on a widebody Airbus
1st episode was awesome. Seems like this would make more sense as a movie than a tv show, but I’m with it.
well give this a shot Jenny, I remember watching this in the 90’s, it’s based on a Stephen King story. I would be very surprised to hear that Into the Night was not at least inspired by it since the basic premise in almost identical. Take it easy,https://www.primewire.li/tv/281851-watch-the-langoliers
This was an excellent show. Too bad Netflix never renewed for 3rd season.
Some people actually thought this was good??
I thought it was laughable, the co-pilot with a bullet in his hand gets a passenger to help him take off. She has only flown helicopters but she shows absolutely no emotion like she’s on a video console, hey no problem………. then they land at an air force base coming in too fast but no problem they come to a stop a foot from a hanger?? the hangar is at the end of the runway?
The acting was terrible, I thought it was a comedy for awhile.
I will watch episode 2 just to see how ridiculous it is
Hey bro, ur post is quite spoilery. not sure if you know but there is a check box to the left of the submit tab that will let u hide any spoiler content. Just trying to look out, luckily I only read the first few words but mods here can be real harsh on spoilers. anyway take it easy dude.
Totally agree. The idea is great but the execution is just *facepalm. I didn’t even get to episode 2.
“SNOWPIERCER” ON A PLANE
60%
The usual post-apocalyptic nonsense from Caucasians which, despite being logically and melodramatically absurd, oddly remains emotionally compelling.
As always, the fictional apocalypse is seen through White people’s eyes, as if only their lives mattered. Actors of Colour behave mostly as if they were White; revealing how uninsightful White writers are regarding differing or different perspectives. The analogue-to-reality here is that the current White obsession with the end of the world in their fictional media (zombies, aliens, climate change, resource exhaustion, etc) is really a pre-occupation with the cultural and economic decline of their particular ethnic group, especially when compared with the current rise of the Han Chinese in the twenty-first century.
However, the best thing about this series is that the behaviour of the White people here is extremely accurate in terms of how strangely they would behave in such a scenario in real life. One only has to witness modern-day Caucasians in the West, panic-buying toilet paper and publicly protesting the wearing of face masks in the middle of an infectious-disease pandemic, to see this clearly.
Instead of working together to solve common problems, what we see here are people working hard to undermine each other with ego games and threats of violent assault - even when this could mean their collective deaths. There is, after all, little point in threatening the life of the only person who could save them, when no-one else could take his place in the cockpit of the plane flying them out of the danger zone.
The plot holes in this production are fairly large and include an aircraft hangar situated dangerously at the end of a long runway, continued electricity-generation without anyone to operate any power stations (eg, street lights still working) and some people surviving when others die for no explicable reason - including pets - when understanding how they managed to survive more than 24 hours could help the other survivors to live longer. But the actors save the day (especially Mehmet KURTULUS) as they are able to get beyond the mediocre writing to present more the writers’ intentions than what is immediately-apparent from their actual dialogue.
In fact, these performers somewhat deftly define their clearly-differentiated characters to present often-subtle depictions of human greed, stupidity, self-centredness, neurosis, self-pity, panic & self-sabotage. The only problem here is that over the six episodes of series one, few of them ever really develop enough beyond the two-dimensional writing wherein every character has a secret flaw; making it difficult for them to overcome their psychological problems except for the intervention of good luck in the form of lazily-expedient writing.