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In this film all sorts of four-legged animals, some of whose skins are in very high demand for ornamentation, are shown in their characteristic way. First, there emerges a little mole with soft and lustrous fur. The picture distinctly shows the strong little shovel-shaped forelimbs with which he digs, then is shown the long-nosed opossum of the Brazilian jungles, which uses its tail almost like a monkey to assist it in descending trees and concealing himself in out-of-the-way places where he will be safe. The curious long-tailed armadillo is built like a mechanical toy, with a coat as tough as sole leather attached to its sides, almost as if a blanket had been placed on it and strapped in place by a groom. The porcupine, as everyone who has had any experience with one knows, is a very bad proposition to have intimate dealings with, and it is particularly advisable, if one has to do with it at all, to rub his strong-quilled back in the right way. The ocelot is an animal with protruding head. It is one of the best hunters of the little people. It is shown here both going to the hunt and returning with a good catch. Strange people are the coatimundis, inhabitants of Peru. They are on the order of the raccoons and are very inquisitive. The film is brought to a close by the exit of a youthful ground hog into his hole.

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Released: August 12, 1915
Genres: Documentary Short
Countries: United States
Companies: Powers Picture Plays
Crew: Raymond L. Ditmars

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