The film unfolds at the same time humorous and dead-serious projects and is also a portrait of an insisting system fighter, the man behind the projects, Fluxus-artist and project genius Knud Pedersen. Knud’s way to approach the establishment, be it the Quenn, the government, NATO, was unique, and above all “Jantelov”. Eventually it can all be looked at in relation to the fact that Knud was imprisoned during World War II, by Denmark, because of his relation with the resistance group, The Churchill Group. One project that the film unfolds is the job application for the general secretary of NATO: “Your excellency, I am 83 years old, and have spent a large part of my life on different stings, without ever succeeding to kill anyone. I am willing to meet new challenges though.”