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Death, who takes the form of a young man (Brad Pitt), asks a media mogul (Sir Anthony Hopkins) to act as a guide to teach him about life on Earth, and in the process, he falls in love with his guide’s daughter (Claire Forlani). |
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| Ratings: | IMDB: 7.2/10 | |
| Released: | November 13, 1998 | |
| Runtime: | 178 min | |
| Genres: | Drama Romance Fantasy | |
| Countries: | United States | |
| Companies: | Universal Pictures City Light Films Universal Pictures City Light Films | |
| Cast: | Anthony Hopkins Brad Pitt Claire Forlani Jake Weber | |
| Crew: | Martin Brest Ron Osborn Kevin Wade Maxwell Anderson Jeff Reno Bo Goldman Alberto Casella Walter Ferris Gladys Lehman | |
Trailers (1)
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| Version 1 1.4 GB | mixdrop.ag | 788 views | Report Link | ||
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| Version 2 1.4 GB | mixdrop.ag | 235 views | Report Link | ||
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| Version 3 1.9 GB | voe.sx | 121 views | Report Link | ||
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| Version 4 1.9 GB | dood.watch | 149 views | Report Link | ||
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| Version 5 1.9 GB | dood.watch | 356 views | Report Link | ||
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| Version 6 | streamwish.to | 54 views | Report Link | ||
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| Version 7 | streamplay.to | 57 views | Report Link | ||
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The 2nd remake of the original 1934 Death Takes A Holiday Fredrich March film about Death falling in love, this time with Claire Forlani & Pitt (who felt anyone else could’ve done better in the role). Since this is a remake, it was criticized harshly. The original is better, but there’s nothing wrong with this one. It’s 3 hours, but there was a 2 hour version that was done without the consent of director Martin Brest, so his name isn’t on that one. It’s a cut for tv & airplane viewers.
There’s another remake done before this one in 1971 that’s also considered to be much better. That has screen legend Myrna Loy & Yvette Mimieux from The Time Machine & Toys In The Attic with Dean Martin. That one was made for tv.
Exactly! No idea why I didn’t include that info in that original paragraph to begin with. Will add it. Thanks M! Also, this one has a nice version of Over The Rainbow at the end. Pretty schweet.
Great movie but i recommend subtitles. It’s one of those movies that constantly switches between soft low-talking and preposterously loud music.