The Perfection 1200 is a fourteen year old scanner. It renders and image over time, from right to left, not like the camera’s instant frame. One scan, depending of the resolution used, can take from to to 20 or more seconds. As the actor performs for the scanner, he does so in near silence, struggling with each isolated pose for the duration. Fixed are the traces of the movements of life. The animation process rebuilds and unfixed the construction during play, recombined with breath and sound. Through this artificial deconstruction and reconstruction process, there is a reflection of life and art, deeply felt. Don Boros’s double speaks with his voice, about Beckett, acting, of ‘living truthfully under imaginary circumstances:.