My animated film’s narrative is structured in a way to celebrate Don McCullin’s visual triumph. His photographs illustrate his amazing ability see the most important, leading viewer attention to what matters. Throughout the body of his work he demonstrates that war, or any difficult situation for him is a single act of suffering of a single person. It makes us, viewers, to identify ourselves with the person on Don McCullin’s photographs. Which makes is almost unbearable to look at. For weeks, my face was covered with charcoal. I felt I have being standing for the right cause, illustrating bitter words of one of the greatest living photographer, of his “wasted life, photographing wars”.