When new HR Director Maya begins her job at Fly, she tries to shake up the old-fashioned lad culture and begins investigating historic cases of misconduct. But Sam bristles at the suggestion of institutional bias against women - that was all in the past, and things are different now that she's in charge.However, when Sam arrives at work one day to find a dead body in the office reception, she is forced to reckon with not only the murky behaviour in the present, but murderous secrets from the past as well.

Ended
  • Currently 62.666666666666664/5
(15 votes)
Ratings: TVMaze: 5.8/10
Released: January 11, 2022
Runtime: 60 min
Genres: Thriller
Countries: United Kingdom
Companies: BBC iPlayer The Forge Entertainment
Cast: Alison Steadman Maxine Peake Charles Dale Kieran Bew Rory Keenan Susan Wokoma Rakhee Thakrar Ben Batt Zoe Tapper Sudha Bhuchar Tom Forbes 3 more
Crew: Ruth Fowler

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Expand all Spoilers
Miffy 4 points 3 years ago. 5/5 stars.

loving this so far…

Jarreed 3 points 3 years ago. 5/5 stars.

Didn’t think I would enjoy this but gave it a shot. Really good watch.

DW99 -1 points 3 years ago*. 2/5 stars.

Bad. Very bad. It fails as a thriller because of some clumsy errors and lots of clumsily planted SCREAMING CLUES (felt as though it was written by someone who was clever enough to gain a place at a screenwriting seminar, but who didn’t grow, who remained an amateur with potential) — and it fails as a political-message series because it is heavy handed, didactic, and without subtlety.

Very bad. Can’t understand why the sublime actors Maxine Peak and Allison Steadman agreed to do it. Wish I’d not invested 4 hours in it.

DW99 0 points 3 years ago. 2/5 stars. (Contains Spoilers)

A few of the problems:

  1. The bottle of alprazolam is clearly marked TABLETS — yet when Tess and the boss-mother take a few, they’re huge red-and-white capsules. Alprazolam comes only in tablet form, never in capsules — and any doctor, pharmacist, pharmacy tech, or person who has been prescribed these would know this, as would some other healthcare workers. That’s a pretty big chunk of the viewing population who aren’t going to swallow (no pun intended) this lie.
  2. Some powdered meds inside capsules don’t dissolve, which I learned when looking after someone who was ill and had trouble swallowing. The writer and producer should not have relied on this clumsy device, esp. bc (as noted above) ALPRAZOLAM DOES NOT COME IN CAPSULES.
  3. It was the height of schiddy storytelling for Owen to explain to Peake’s character exactly what had happened with Amy. Good writers find a way to reveal crucial plot points from the past; even a flashback wd’ve been preferable to this.
  4. It was BEYOND the height of schiddy storytelling for Owen to halt his frenzied killing of Peake’s character long enough to make sure she knew exactly every awful thing he had done re: Amy. I mean, come ON — if you’re intent on killing someone in order to save your own skin AND you want to be quick about it in order to avoid suspicion (it was daylight, his car was still in the neighborhood where her wife was hanging with her pals), you’re not going to engage in 30 seconds of exposition.
  5. I completely DO NOT BELIEVE that the police found no traces of attempted strangulation on Amy’s neck. If the pressure on her neck was intense enough to cut air and lead to her death, there wd’ve been marks.
  6. I completely DO NOT BELIEVE that the police found no trace evidence of Owen on ?Maya? — he picked her up and carried her for several feet.
  7. How on earth did Owen enter ?Maya’s? house when Peake’s character was there looking for evidence? The door was locked, yet he somehow just materialized — bc the plot required it. Schiddy, schiddy, schiddy, lazy “Let’s just rely on magic” storytelling.

Very, very, very bad thriller that should NOT have been green-lighted in this state. A rewrite was in order.