Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.

Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt to deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end.

Viva (playing herself) and Louis Waldon (playing himself) spend an idyllic afternoon together in an apartment in New York City.

The original flyer for the event said, "Be part of what's Happening. Andy Warhol Underground Filmmaker comes to the Boston Tea Party this weekend to capture the people on films they explode to the sights and sounds of The Velvet Underground. You are the star. You are what's Happening. Be part of Boston's first authentic underground movie".

The Velvet Underground's First Public Appearance, filmed in Super 8 at a Psychiatrist's Convention, at the Delmonico Hotel, New York, January 14, 1966. Andy Warhol was invited to speak at the annual banquet of the New York Society for Clinical Psychiatry. He brought along the Velvets and other factory regulars.

Using his newly bought camera, during a two-week sojourn in Los Angeles, Andy Warhol shoots his first partially scripted feature--a Warholian take on jungle adventure films loosely inspired by the classic film, Tarzan the Ape Man (1932). In a series of playful narrative segments, Tarzan, portrayed by Taylor Mead, meanders through sun-kissed Los Angeles bent on rescuing his beloved mate, Jane, played by underground actress and filmmaker, Naomi Levine. In the process, bare-chested Tarzan flexes his muscles, lifts weights in Venice Beach, and teaches a young Dennis Hopper a lesson before finding Jane, the love of his life.

John sleeps with a pillow

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

"A Symphony of Sound" - depicts a rehearsal of The Velvet Underground and Nico at the Factory, 231 East 47th St., (loft on 4th floor), New York City. It is essentially a one long loose improvisation including some private conversations and a brief visit from the NYPD.

Lacking a formal narrative, Warhol's art house classic follows various residents of the Chelsea Hotel in 1966 New York City, presented in a split screen with a single audio track in conjunction with one side of screen.

About a male hustler who talks with and sleeps with a series of women.

In the wild wild west, Ramona Alvarez and her perpetually stoned nurse run into five gay cowboys. The seven members of the party desire a handsome male drifter, except for the transvestite sheriff, who can't be bothered about anything but his outfit. All hot & bothered at this point, the cowboys rape Ramona, who subsequently has sex with the drifter and, in the afterglow of sex, wants to form a suicide pact with him. The drifter rejects her new desire and rides off into the sunset with another man.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string (played by Viva) and a G-bestringed (bestrung?) waiter. Some of the "nude" patrons leave the establishment, their places taken by new customers, also nearly in the buff. There are numerous in-camera jump cuts (known as 'strobe cuts') and the camera weaves around a bit. The waiter and waitress move from table to table, talking to the customers. Taylor Mead sits smirking at the fountain, where eventually he partakes in a long conversation with Viva about her Catholic childhood. Viva, the waitress if not the actual person, seemingly is obsessed with the subject of lascivious priests. There is more strobe cutting and at one point, Viva turns to the camera and asks that it be turned off. The camera is turned off and, after an interlude, is turned back on again, after which Viva continues with her monologue. More patrons arrive while others go, perhaps thinking -- if not speaking -- of Michelangelo.

Close-ups of couples kissing for three minutes each.

Filmed on Fire Island, this two reel, 70 minute Warhol film covers the activities of the "Dial A Hustler" service, as an older man seeks a young hustler for a companion.

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

Quirky girl eating a "banana".

Andy Warhol's infamous lost campy classic charting the adventures of Batman two years before Adam West donned the Caped Crusader's wings in the classic TV show.

Viva and Taylor Mead are a married couple renting an extra beach-house to a group of surfers sent to them by a Mr. Morrissey of La Jolla Realty. Their daughter, Ingrid Superstar, is pregnant and on the hunt for a husband. Mr. Mead, who is gay, tries to pawn her off to one of the surfers. Meanwhile, Viva wants a divorce from her boy-crazy hubby, who wants a surfer of his own. Tom, a surfer, is inveigled by Mr. Mead to urinate on him. In a close-up, Mr. Mead receives Tom's offering ecstatically, after which he comments, "I'm a real surfer now."

Ronald Tavel's THE LIFE OF JUANITA CASTRO is one of Andy Warhol's triumphs as a filmmaker. A playwright (Tavel himself) taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family, at a time when the revolution was bringing back disquieting stories of executions and imprisonments and, particularly, virulent hatred and torture of homosexuals in Castro's Marxist paradise. Hilarious as JUANITA is, it remains a history lesson wherein fascism itself is on display and the audience is encouraged to laugh---but with some discomfort.

An experimental short film in which a copy of an interview is shown on a monitor next to the live interview creating the illusion that the two are talking to each other.

A man and a woman live in a clothes-cabinet, literally; they contemplate leaving, but never do. For a time only their voices are heard, until they try to have some light, and open the door. The Woman takes an almost maternal role, they share a sandwich and a cigarette, discuss the contents of the closet, and then The Woman wonders if there is any sexual attraction between them. The Man is too shy for that, or to leave the closet.

Based on the life (and death) of actress Lupe Velez, it was the last film Edie Sedgwick made with Andy Warhol (excluding portions of '****')

Documents each member of The Velvet Underground having their cards read at a big apartment party. The tarot reader is continually interrupted in her readings by the chaos created by the characters around her.

Four songs from the LP "Keep Your Distance" (1987) are performed by the band Curiosity Killed the Cat: "Down To Earth", "Ordinary Day", "Misfit" and "Free". This compilation is mostly ...

Loosely based on Anthony Burgess's A CLOCKWORK ORANGE, VINYL tells the story of Victor (Gerard Malanga), a "JD", who is betrayed to the police by his sidekick, Scum Baby (Bob Olivo, aka Ondine), and after being tortured by The Doctor (Tosh Carillo), becomes a useful member of society.

Inspired by Bibbe Hansen's experiences in a juvenile detention center.

A single shot of the Empire State Building from early evening until nearly 3 am the next day.

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.