Norma de Botero is the director’s mother and is diagnosed with a terminal illness. When the director finds out he is forced to record it, her, himself, the family - In this way the memories of childhood, fragments of a joyful, uninhibited and vital young mother, which the director recorded as a child, alternate with the uncertainty of what is to come, a tired and silent father who will be alone - It is who we were and who we will be, but it is above all the need to tell. It is not only what the film documents, the memory that it contains, but the need to make the film itself as catharsis, and the need to keep recording, even if death comes after Norma.