Over 3,000 images, shot entirely on a flatbed scanner, arranged into an avant-garde stop-motion film that explores the dynamic relationship between sight and sound. Over 3,000 images were scanned into a computer to create a sequence of stop-motion animations. The images were not digitally manipulated in anyway. All of the materials used were found objects or scrap pieces of paper. My intent was to be as spontaneous as possible by not to using any traditional instruments, tools, or methods. None of the sequences were pre-orchestrated but were derived through experimentation. I was consistent with this theme when it came time to capture the audio for the work. Using a field recorder, I recorded random sounds such as a printer while it was printing, wind chimes outside my house, feedback from two telephones and an answering machine, silverware, and a running refrigerator. During a visit in New York I recorded noises and sounds from the subway system and street traffic. Sound wave editing software was then used to manipulate the pitch, tone, and volume of the sounds to match the dynamic activity of the imagery.