The famous movie genres – war pictures, westerns, etc – are about adults, but in this chapter Jane Fonda narrates the story of 18 films about children in film, from Germany, Belgium, Mongolia, Sweden, Russia, Canada, Senegal, Argentina and Scotland. We've all seen overblown films, but what are the visual and story lessons we can learn from Claire Denis, Maria Louisa Memberg, Kinuyo Tanaka, Agnes Varda, Valeska Grisbach and Desiree Akhavan about keeping things simple? How have filmmakers like Ava Du Vernay and Kathryn Bigelow in America, Sarah Maldorer in Mozambique, Leni Riefentahl in Germany, Drahomira Vihanova in the Czech Republic, and their editors, pushed the techniques of editing to their limits?