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Vamp Votive Candle
$22.95
Set the mood with the seductive glow of the Vamp Votive Candle. This white soy wax candle comes in a sleek glass holder featuring the bold Vamp movie logo in striking red and white, printed against a deep black background. The iconic design, inspired by the cult classic and Grace Jones' unforgettable red lips, adds an edgy, retro touch to your space. Whether you’re lighting it for ambiance during a horror movie night or simply want to bring some ‘80s-inspired style to your décor, this votive candle is the perfect blend of atmosphere and attitude.
Vamp Movie Logo Premium Tee
$25.95
Dive into retro-cool style with our classic premium t-shirt adorned with the iconic logo from the cult classic movie Vamp. This timeless piece offers both comfort and style. Whether you're lounging at home or hitting the town, let your love for '80s cinema shine with this must-have addition to your wardrobe. Embrace the nostalgia and make a bold statement with every wear.
Children of the Corn - Glass
$21.00
Sip your favorite drinks with a chilling twist using the Children of the Corn Glass! Shaped like a classic soda can, this clear glass features the haunting Children of the Corn design on one side—where black silhouettes of a scythe-wielding hand and eerie children hide in the cornfield, beneath ominous blood red clouds. The unique design allows the color of your beverage to transform into the eerie sky, making each sip a creepy new experience. Available with or without a lid, this glass is perfect for enjoying soda, iced coffee, or any drink you dare. Whether you're relaxing or hosting a horror-themed gathering, this glass will bring a bit of classic movie terror to your table.
Children of the Corn - Mug
$14.00
Start your day with a touch of terror! The Children of the Corn Coffee Mug is perfect for horror fans who like their coffee as bold as their favorite classic films. Available in both 11oz. and 15oz. sizes, this white ceramic mug features the eerie Children of the Corn image on both sides—showcasing the haunting silhouette of a scythe-wielding figure and shadowy children hiding in a sinister cornfield beneath a blood-red sky. The handle and interior add a splash of color with your choice of black, red, or orange, making this mug both stylish and chilling. Whether you're sipping your morning mocha or enjoying a late-night coffee during a horror movie marathon, this mug will send shivers down your spine!
Children of the Corn
$29.00
Wear your horror fandom proudly with the Children of the Corn T-Shirt! This chilling tee lets the fabric itself become the eerie backdrop, as the sky from the iconic Children of the Corn design is formed by the shirt’s color. Only the haunting black silhouettes of the scythe-wielding figure, hidden children, moon, and sinister clouds are printed, creating a subtle yet powerful look. Available in multiple colors, you can choose your preferred "sky"—whether it’s blood red, stormy gray, or midnight blue. Perfect for casual wear or horror movie nights, this T-shirt is a must-have for fans of classic scares who want to make a spooky statement.
Vamp Movie Logo Mug
$13.95
Savor your brew in cinematic style with our Vamp movie logo coffee mug. Featuring the iconic emblem on a sleek black background, this ceramic mug combines nostalgia with elegance. Perfect for fans of the cult classic and lovers of retro-cool vibes.
The Savage Seven (1968) [Selected for the First Quentin Tarantino Film Festival, 1997]
2.4KLikes
314,724Views
2022May 17
A motorcycle gang, "MC California", drifts into a ramshackle Native American Indian shanty town with the idea of fighting, drinking beer and carousing with some of the Native American females. It's not until commanding and charismatic Kisum (Adam Roarke), the leader of the pack, tries to get a bit too friendly with local Indian waitress Marcia Little Hawk (Joanna Frank), that the Indians, who at first avoided violence, start to get restless. Marcia's hot-headed, blue-eyed brother, Johnnie Little Hawk (Robert Walker, Jr.), is the leader of this tribe, and is upset about the budding romance. There are a number of confrontations between Johnnie and his Indian friends living in poverty, with Kisum's crew of drunk and rowdy bikers that the rich and greedy, controlling local owner of the bar and convenience store, Fillmore (Mel Berger), attempts to use to his advantage. Fillmore has been trying for some time to drive the pesky Indians off their land and turn it into a resort and shopping mall that would make him millions. Now with Kisum and his gang running amok and terrifying the Indians in town, Fillmore has a secret plan to pay Kisum to burn the Indians out of their homes, and at the same time, by calling the state police troopers, then have Kisum and his gang arrested for arson and murder. That's the proverbial knocking off two birds with one stone on Fillmore's part! The bikers and Indians, seeing a common cause, become allied against Fillmore. He goes into overdrive, and has a local Indian woman raped and murdered by his #1 henchman karate black belt Taggert (Charles Bail) and makes it look like one of the bikers did it! But, things still aren't going the way he wanted. The bikers and Indians are not going for each other throats. So, Fillmore has Taggert & Co. murder Kisum's good friend Bull (Richard Anders) to start a war between the bikers & Indians. After Bull is murdered, he is crucified by Fillmore's men, making it look like the Indians did it in revenge for the raped and murdered Indian woman. With both the bikers and Indians now at war with each other, Fillmore and his crew just sit back, acting like "innocent bystanders" in all the carnage, and wait for the inevitable results: The two sides wiping each other out with Fillmore and his boys, being non-combatants, picking up all the pieces, and the valuable Indian land! Since both the Bikers and Indians, in killing off each other, won't have any use for it anyway! That's until a battered and beaten Taggert, who had the truth beat out of him by Kisum, confessed that his boss, Fillmore, is working both ends against the middle. With alliances shifting back and forth, it's now up to Kisum to get the truth out to both his bikers and Johnnie's Indians to unite against their real enemy, Fillmore, before they both end up slaughtering each other! A 1968 action, crime, drama, thriller, outlaw biker film directed by Richard Rush ("The Stuntman"), produced by Samuel Z. Arkoff, Dick Clark, and James H. Nicholson, screenplay by Michael Fisher from a story by Rosalind Ross, and richly photographed by László Kovács. Starring Robert Walker Jr., Joanna Frank, John Garwood, Larry Bishop, Max Julien and Duane Eddy. Penny Marshall and Billy Green Bush appears in one of their earliest screen roles. It's worth seeing for Walker and Rourke's performances, they elevate this film to a much higher level than it would be, with lesser actors. Rush had directed the previous year's "Hells Angels on Wheels", and agreed to direct this biker flick in exchange for the opportunity to make his psychedelic film "Psych-Out" (1968). Here, he doesn't seem inhibited by the common-ness of the material. Rush builds the characters and has Kovács move the camera (it glides and whirls like a gymnast) in typically startling fashion. This biker film adaptation of Akira Kurosawa's classic "Seven Samurai" (1954) was one of the many biker films coming out of the AIP studios during the 1960's and 70's, but it's also one of the most entertaining. With style to burn, it delivers on all the action and stunts you'd expect from this genre while also injecting some obvious but effective social commentary on the scrambled values of the era. The powers-that-be pit the bikers and Indians against each other to dissolve their strength and perpetuate their fringe status. In a contemporary review for The New York Times, critic Richard F. Shepard wrote: "The movie is one continuous uproar of unmuffled motors and head-cracking and emphasized cruelty from one and to another. It is colorful and technically competent but completely cheap in its primitive, uninquiring, kick'-em-in-the-groin sensationalism, too serious to be lusty and too one-note to be interesting." Selected by Quentin Tarantino for the First Quentin Tarantino Film Festival, which was held in Austin, Texas in 1997. If you like classic drive-in movies, then this will be a whole lot of fun. Whip out some popcorn, and set back to be entertained.

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Donald P. Borchers

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